A recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater.
By Bill Marx
Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the cultural [...]

By Bill Marx
The coming month offers some unusual examples of theater. Finished with “exploding” Shakespeare, the American Repertory Theater has decided to present the American classics unabridged. Produced by the Elevator Repair Service, “Gatz” is an evening of drama that revolves around a complete reading of “The Great Gatsby” by F. Scott Fitzgerald.
Political point-scoring [...]

By Bill Marx
October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of Americans [...]