More than any other art, theater asks for relevance. A play that convinces us that “this is the way it is now” can be excused many shortcomings. At any one moment there is a particular quality of feeling which dominates in human intercourse, a tonality which marks the present from the past, and when this [...]

By Bill Marx
The prospect of holiday cheer on stage is pretty depressing to contemplate after the soporific treacle of Paula Vogel’s PC-crazed “A Civil War Christmas: An American Musical Celebration,” which culminates in the unintentionally eye-popping vision of Walt Whitman, dressed as Kris Kringle, visiting a dying Jewish soldier. For those reluctant to take [...]

by Bill Marx
What particularly disappointed Boston Globe theater critic Louise Kennedy about the Huntington Theatre Company’s recent production of David Rabe’s Streamers was that it lacked the emotional impact of the 1976 staging of the script. She found it “painful because that earlier production clearly resonated with its audiences as a powerful antiwar statement, something [...]

War is hell, as the Boston Phoenix theater critic Carolyn Clay would have it, but she doesn’t seem to realize that the inferno is a moving target. And it is the diminishing capacity of contemporary American theater to imagine violence and its effects that interests me most about the Huntington Theater Company’s current revival of [...]