Judicial Review Preview: Bill T. Jones’ American Pillars »

In Serenade/The Proposition, the first of Bill T. Jones’ investigations into the myth and legacy of Abraham Lincoln, the choreographer looks at history and history looks back.

By Debra Cash
Cash was the professional critic on the Judicial Review panel reacting to Bill T. Jones’ Serenade/The Proposition at Jacob’s Pillow, July 21 through 25. She was [...]

Arts Fuse Author: ‘Who Knows One’ »

By Bill Marx
Critic Debra Cash’s excellent writings on dance can be found on The Arts Fuse. She has new book of poetry out, timed perfectly for the upcoming Jewish holiday. The lyrics in the volume Who Knows One are “based on stories, language, and associations connected to the Passover Haggadah.”
Those who have admired Debra’s detailed [...]

Helping Fayard Nicholas »

By Debra Cash
Only medical skill, the support of friends and family and perhaps the prayers of his fans can help Fayard Nicholas recover from the stroke the gentlemanly 91-year old African-American dancer suffered on November 22, 2005. But those of us who thrilled to the virtuoso tap dancing of the Nicholas Brothers in the “Stormy [...]

Genius at Risk »

Years of bitter and expensive litigation as well as the challenging nature of her work have put the artistic legacy of dance giant Martha Graham in crisis.
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Instants of Combustion »

Dance photography was born in the search to chronicle the dancer’s ephemeral art. It has grown up to offer a different, wholly independent, form of permanent performance
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Cuban Dancers, Si »

By Debra Cash
Blame Alicia Alonso for reinforcing her own senseless Cuban embargo. The famed (and literally blind) dramatic ballerina who is the fountainhead of Cuban ballet and an official Friend of Fidel seems to have felt that although she made her own performing career in the United States the Cuban “dance drain” of ballet [...]

Relax with the New »

By Debra Cash
Ella Baff, executive director of the Jacob’s Pillow Dance Festival, recently shared the revision of an article she wrote for Arts Manager International Magazine last year. Her first tip for audience members: “Relax. Remember that when you travel to a foreign country, you may not know the language, but this does not mean [...]

The Monster Bridge »

Tap superstar Savion Glover effortlessly bridges the jazz and rap generations.
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Drawing Audiences to Dance »

The challenge of building a new dance audience lies in presenting, and contextualizing, thought-provoking work
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Race and Dance »

Dance icon Bill T. Jones confounds expectations about race and the power of stereotypes in two new dance pieces.
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