A whole lot of deconstruction of the classics going on this month, along with productions of scripts by familiar homegrown names, from William Inge and David Mamet to Sarah Ruhl. A visit from a master puppeteer and a show about race that’s “recommended for mature audiences” look intriguing.
By Bill Marx
The Real Inspector Hound by Tom [...]

By Bill Marx
The month contains plenty of summerish entertainment, from a new baseball musical to a campy Alfred Hitchcock parody and a jazzy update of The Mikado. For me, the standouts are the more demanding fare, such as a festival of new American theater pieces and an exciting opportunity see Shakespeare’s rarely staged Timon of [...]

Any month that includes an attempt to get kids into the poetry of Shakespeare, inspirational women, and talking chickens looks fairly promising.
By Bill Marx
1: Shakespeare and the Language that Shaped a World by Kevin G. Coleman. Directed by Jenna Ware. Presented by Shakespeare and Company at the Elayne P. Bernstein Theatre, Lenox, MA, through April [...]

By Bill Marx
Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high and [...]

What are artists? Desperate searchers after whatever can be found of truth and beauty, even when the two may be poles apart. – Tennessee Williams, “Notebooks” (1979)
The Remarkable Rooming House of Madame Le Monde by Tennessee Williams. Directed by Davis Robinson. Beau Jest Moving Theater production (commissioned by the Provincetown Tennessee Williams Theater Festival) [...]