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World Books Review: How To Sing in Dark Times »

I am one of the judges for the Best Translated Book Award (fiction division) sponsored by Three Percent. The five finalists will be announced in New York on February 16th. Three Percent honcho Chad Post needed help to meet his goal of posting a commentary on each of the 25 volumes on the BTB’s fiction [...]

Classical Music Review: Pianist Ingrid Fliter »

By Caldwell Titcomb
Argentinian pianist Ingrid Fliter made her Boston debut with a Celebrity Series recital in Jordan Hall on November 1. Now 36, she started playing in public at the age of eleven. For this appearance she offered music by Beethoven, Chopin, and Schumann.
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Classical Music Review: Chiara String Quartet »

By Caldwell Titcomb
Four youngish players, trained at the Juilliard School of Music, constituted themselves as the Chiara String Quartet. For several years they have held artist residency at the University of Nebraska-Lincoln. They have received a number of awards and prizes, and this season they are the Blodgett Artists-in-Residence at Harvard University, where they gave [...]

Fuse Interview: Greil Marcus on co-editing “A New Literary History of America” »

The governing idea of “A New Literary History of America” is that it is about a made-up nation and a made-up literature. That means every time an author, a thinker, an actor in our national story sets out to do something that person discovers America for the first time. Each actor in the drama of [...]

Theater Review Round-up: Our Man in London »

It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees.
By Caldwell Titcomb
Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” A [...]

Theater Commentary: Boston’s “Comedy of Errors” »

The Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16.
Reviewed by Bill Marx
Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb of the [...]

Culture Vulture at Shakespeare & Company »

Like many devotees of Shakespeare & Company, I’ve long been an admirer of Tod Randolph, who over the last thirteen years in the Berkshires has given indelible and exceptionally intelligent performances of such Shakespearean roles as Desdemona and Portia.
Miriam Hyman (Donna) and John Douglas Thompson (Dad) in “The Dreamer Examines his Pillow” at Shakespeare [...]

Culture Vulture at the Chester Theater »

If you’re looking for a magical evening of summer theater, get out your map and drive to the Pioneer Valley village of Chester (pop 1100) where the Chester Theater is now celebrating its 20th season.
Actors Charles Stransky, Terry Alexander, and Warren Jackson work out a deal in “Railroad Bill.” (Photo Credit: Rick Teller)
Railroad Bill [...]

World Books Update »

By Bill Marx
You want a racy, nineteenth-century epic about sex, sin, drugs, and prostitution set in China? Here it is.

Two more pieces on international fiction for World Books, the feature I edit for PRI’s The World.
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World Books Update »

By Bill Marx
I am juggling editing and writing duties between two blogs, theartsfuse and World Books for the website of BBC/PRI’s radio program The World, which is produced at WGBH in Boston. The section aims to be a critical conversation made up of reviews, commentaries, interviews, podcasts, and news stories about international literature. Respected [...]