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Visual Arts: Rembrandt’s Imagination »

I envision Rembrandt with chalk or pen always at hand, sketching from life and imagination constantly. This is also how he taught his pupils, who like him also produced numerous drawings related and unrelated to paintings or prints. Why do so many experts disagree?

By Gary Schwartz

In an earlier column I illustrated a large number of [...]

Visual Arts: At Rembrandt’s Core, The Drawings »

How many drawings by Rembrandt are around? More than many experts admit. The issue is not just a quibble over numbers. It has far-reaching consequences for our reconstruction of Rembrandt’s working method and our understanding of his art. The showdown is coming at a conference on the artist at the J. Paul Getty Museum in [...]

Visual Arts: O Solomon, where art thou? »

By Gary Schwartz
To the memory of Dan Tsalka.

Among the acts of art vandalism blamed on the nineteenth century, one of the minor ones was actually undone fifteen years ago. It had to do with the dismemberment of a painting by Jan Steen of the wedding night of Sarah and Tobias, a story from the apocryphal [...]

Visuals Arts: Rembrandt and I in Oman »

It cannot be said that the average Omani was waiting for an exhibition of Rembrandt etchings.
By Gary Schwartz
“Frankincense from Oman and paintings by Rembrandt were both part of the good life in the 17th century.” That unlikely quotation is from the script of a film that I wrote and presented this summer to accompany an [...]

Visual Arts: An Impressive Prize »

By Gary Schwartz

Once every three years since 1992, the Prince Bernhard Cultural Foundation, originally launched under another name in 1940 to aid the war effort, has awarded a prize to a person or institution in the humanities. It is a generous prize of 50,000 euros, of which two-thirds is to be spent on projects [...]

Visuals Arts: Collection Mobility, The High Risk of Life On the Road »

Is it more harmful for a museum item to be crated and shipped off to a loan exhibition or left hanging in its own gallery or storage facility? Do we see the scars of damage once they have been repaired?

Ronni Baer in the Museum of Fine Arts, Boston, December 2007
By Gary Schwartz
“I’m afraid that my [...]

Film Arts: Spoiling Oil! »

By Gary Schwartz

Director Paul Thomas Anderson is no Upton Sinclair.
Half an hour into Paul Thomas Anderson’s film There Will be Blood, shown on Dutch television the other night, I told Loekie how intensely happy I was that the film existed. A few months ago I read the book on which the film is partly based, [...]

Visual Arts: The Humanist Meets the Exorcist »

by Gary Schwartz

Albrecht Dürer, Erasmus, 1521
The recently closed exhibition Images of Erasmus at the Boijmans Van Beuningen Museum in Rotterdam rightly introduced Hieronymus Bosch into Erasmus’s sphere. Here are some unsuspected truths - well, at least possible truths - about the two of them.
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Visual Arts: L’art, c’est moi »

by Gary Schwartz

A few months ago a good friend, someone whose judgment I could not respect more highly, asked me to help convince the Rijksmuseum not to give Damien Hirst the run of the place with his exhibition “For the love of God.” She was understandably incensed by the whole business. That the cast of [...]

Visual Arts: Where were you in May 1968? »

By Gary Schwartz

This question was asked by a Dutch newspaper last spring. At the time I did not get around to answering it. What they were after were experiences related to the students and workers revolt in France and other revolutionary manifestations of the Spirit of 68. My first reaction was that I was [...]