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Culture Vulture: Tanglewood Highlight Without Stars »

Every single player and singer seemed thrilled to be performing this music, absorbed in it, attentive to their masterful conductor and having a good time. It made me think how often that is not the case at symphony concerts.
By Helen Epstein
There were no star soloists or conductors around on Friday night and since the TMC [...]

Culture Vulture: Homage to Chopin »

By Helen Epstein
After some peculiar programming last week, Tanglewood’s current weekend got off to a rousing start on Thursday night as Garrick Ohlsson gave a haunting, introspective, and idiosyncratic performance of Chopin. The program, emotion-packed and filled with delicacies as though the pianist could not bear to leave anything out, included nocturnes and mazurkas, Ballade [...]

Culture Vulture: High-Energy ‘Richard III’ »

Reviewed by Helen Epstein
I saw Shakespeare & Company’s excellent production of Richard III in Lenox, MA last weekend (through September 5 at Founders’ Theatre), with an exceptionally strong ensemble that was kicked into high gear by a high-energy performance from John Douglas Thompson in the title role.
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Culture Vulture: Youth and Age at Tanglewood »

By Helen Epstein
This Tanglewood season, overshadowed by the absence of ailing maestros James Levine, Seiji Ozawa, and others who have canceled their appearances, has got me thinking about age and illness. There have been some compelling concerts these past two months, including Michael Tilson Thomas’s riveting Mahler renditions, but the absence of a strong director [...]

Culture Vulture: Triumphant ‘Gulf View Drive’ »

The most satisfying theatrical experience of my Berkshire summer has been the Chester Theatre Company’s production of Arlene Hutton’s three-part Nibroc Trilogy in Chester, Massachusetts.
Gulf View Drive by Arlene Hutton. The third play in the Nibroc Trilogy. Directed by Daniel Elihu Kramer. Staged by the Chester Theater Company, Chester, MA, through August 22.
Reviewed by Helen [...]

Culture Vulture: When the Revolution is Over »

By Helen Epstein
After the Revolution by Amy Herzog. Directed by Carolyn Cantor. Staged by the Williamstown Theatre Festival, Williamstown, MA, July 21 through August 1 (closed).
Long before the invention of psychotherapy, long before writer William Faulkner wrote “The past is never dead. It is not even past,” the Greeks mined family history for its [...]

World Books Update: Of ‘Denial’ and other matters »

By Bill Marx
In my other life, as editor of World Books for The World, BBC/PRI’s national radio program dedicated to international news, I write and edit book reviews as well commentaries and interviews. I also host a monthly podcast dedicated to global literature, which is available through ITunes.
The most recent pieces posted on [...]

Culture Vulture: Three Russian Warhorses Strut Their Stuff »

By Helen Epstein
July 30 featured a Russian warhorse program at Tanglewood: Glinka’s “Overture to Ruslan and Ludmila”; Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, and Prokofiev’s Music from the ballet Romeo and Juliet.
These are familiar (some might say over-familiar) works for orchestra, but, of course, there’s a reason they’re still being programmed. Supremely accessible [...]

Culture Vulture: An Impressive ‘Rock City’ »

See Rock City by Arlene Hutton. The second play in the Nibroc Trilogy. Directed by Jay Stratton. Staged by the Chester Theater Company, Chester, MA, through August 8.
Reviewed By Helen Epstein
Arlene Hutton’s absorbing Nibroc Trilogy, produced by the Chester Theater Company (CTC), is now in its second phase with See Rock City. Although the three [...]

Culture Vulture: August Arts in the Berkshires »

By Helen Epstein
If you want a country theater experience, complete with magical valley and stream and a freight train in the distance, go to Chester, MA this month. Chester Theater Company’s The Nibroc Trilogy is a winner and will culminate on the final two Saturdays of the season (August 14 and 21) with the [...]

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